Now that this heartbreaking loss has happened, âYoung Sheldonâ will next say goodbye itself in back-to-back episodes airing on May 16, as well as facing the tasks of saying goodbye to the rest of the cast (though its spin-off âGeorgie and Mandyâs First Marriageâis set to air this fall on CBS) â and send Sheldon off to his future at Caltech. âThe way we brought this show to an end here, itâs emotional,â says executive producer Steve Holland. âI was emotional doing it. Itâs emotional for the characters. Itâs emotional watching it back.â
Here, Holland also shares how the writers figured out how (and when) to portray Georgeâs death, how Barber took the news about his character dying and what other information from âThe Big Bang Theoryâ needed to be honored.
You guys have done this before, when you wrapped up âThe Big Bang Theory.âBut how challenging was it to land all the points you wanted before the end of the series?
Itâs always challenging, and I think endings are always really difficult. Thereâs a lot of expectation on the endings, and at some point, you have to put aside what you think the audience wants to see and just focus on the ending you think is good, and then hope that theyâre also going to appreciate it. Going into this season was a little extra challenging because we had a strike-shortened season, so instead of 22, we had to get everything we wanted to hit and get it in 14 episodes. But I donât think thereâs anything we wanted to get to that we didnât get to at the end of the day.
Since youâve been asked about it for the last seven years, planning Georgeâs death, did you guys know this is how you wanted to play it? Or was it something you kept going back and forth on?
We always knew we were going to address it this season. We always knew we were going to get to the funeral this season. And we always knew that Georgeâs death would happen off screen, that we didnât want to witness it. It was just a question of when. There was a version of this, as we talked about it earlier on, where it would have been: The finale would have been the death and the funeral. I think it was Chuck [Lorre, executive producer] who said, âThis is mostly a positive, uplifting show. Letâs not leave the audience deep in their grief. Letâs watch the family start to piece itself back together, and letâs end with a little hope.â So then that re-shifted when we were going to do it.
And then also, just because we know some people are expecting it, I know thereâs a lot of talk of whether itâs going to happen or not going to happen, but people who know âBig Bangâ are expecting it. We wanted to do it in a way that was hopefully a little surprising. So thatâs why it happens at the end of [Episode 12] â we thought maybe we can catch people off guard. Even though they know itâs going to come, maybe they wonât see it coming then.Touching on âBig Bang,â weâve known that George died when Sheldon is 14, but were there other details from the show that you had to live up to?
It was pretty much just his age. And to be honest, even âBig Bangâ canon isnât entirely consistent. It got more consistent. We know it was 14 and we know that Sheldon goes to Caltech right afterwards and leaves Georgie and the rest of the family behind grieving. Those were the two pieces that we knew.
Was it a tough conversation to have with Lance Barber, since he knew this could be coming?
Heâs known since the beginning of the show that George Sr. had an expiration date. We slowed time down a little bit. Like, we extended it because the kids, our actual cast members Raegan and Iain, are 16 in real life. We stretched one year out into a couple seasons to keep Lance alive as far as long as we could. But he always knew this was coming.
And I think also it being the last season made it a little easier on him that there wasnât going to be seasons going forward that he wasnât going to get to be a part of, but he was great because he really wanted to be there.